RANDY MEEK HOMES IN AUSTIN - QUALITY INTEGRITY

RANDY MEEK HOMES IN AUSTIN, EAST SIDE LUMBER

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Wednesday, 09 September 2009
RANDY MEEK HOMES IN AUSTIN - QUALITY INTEGRITY

RANDY MEEK HOMES IN AUSTIN

The rest of the afternoon featured "Toy Story" soldiers descending from the rafters, rock/blues legend Dr. John performing a song from "The Princess and the Frog" and Dwayne "The Rock" Johnson unveiling an exclusive trailer from March's "Race to Witch Mountain," which Cook mistakenly introduced as "Return to Witch Mountain."

"Um, hi, Dick," the Rock teased his boss. "You greenlit the movie!"

The trailer felt much darker than expected, with an emphasis on the film's science-fiction elements. Opening with a dark road, ominous voice-over and black helicopters, the film features a stubble-faced Rock as a surly taxi driver. Soon enough, the audience caught glimpses of superpowered kids, spaceships, black-clad super-soldiers and Garry Marshall imploring: "If you're planning on visiting Witch Mountain, don't! This place is fortified up the ying-yang!"

Ironically enough, the movie-within-a-movie spoof "Bolt" pokes fun at the very same black-clad villains, space invaders and explosions that were featured throughout the "Witch Mountain" trailer.

RANDY MEEK HOMES

The Sugarcubes became one of the rare Icelandic bands to break out of their native country when their debut album, Life's Too Good, became a British and American hit in 1988. For the next four years, the group maintained a successful cult following in the U.K. and the U.S. while they were stars within Iceland. During 1990, Björk recorded a set of jazz standards and originals with an Icelandic bebop group called Trio Gudmundar Ingolfssonar. The album, Gling-Gló, was released only in Iceland. By 1992, tensions between Björk and Einar had grown substantially, which resulted in the band splitting apart.

EAST SIDE LUMBER IN AUSTIN


RANDY MEEK HOMES IN AUSTIN: After a triumphant gig at Spot 9, Denmark's answer to South By Southwest, interest in the band heated up. At the festival, held in the spring of 2003, the group scored a prime timeslot that found it taking the stage just moments after one of the most well known artists ended her set nearby. "The mainstream, known acts had just played their last chord, and we started playing just after that, and people just turned around instead of walking out, and saw us," notes Christensen.

Their rep was further bolstered when they scored another key timeslot, at the annual Roskilde Festival. Two days before the actual festival kicked off, the band played the only stage open at the time to 2,000-3,000 early comers. Record deals and offers from various industry types began streaming in afterward.

posted by: randymeekhomes at 18:53 | link | comments |

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